You’re Like A Female Version


Of Peewee Herman.

Um.

Thanks?

Hey, Carmen, Peewee Herman is hella cool.

I mean.

Hello.

I may get confused with a hipster at times, affinity for coffee with notes of butterscotch and stone fruit, the one speed whip in the garage, the numerous tattoos, the arty glasses with the wood frames.

But.

The fact is.

I like glitter way too much to ever be a hipster.

Unless they suddenly make glitter in aged wood paneling or something ironic like that.

I also have a pink riding jacket for my scooter and um, heh, my helmet has not only glitter but stars and yes, I did, I have appliqued star stickers on my scooter that I put on myself.

Shut up.

So.

Heh.

I could see what he meant.

And I was flattered.

I mean, really, I haven’t been compared to many famous people, although a legend in my own mind, I don’t have that much claim to fame.

I like to think that I am.

But really.

I am just crazy old me.

“Don’t forget me when you’re famous,” he said to me last week when I saw him and told him about the podcast.

I still don’t know what the hell that means.

I suppose that I will be recorded and to that extent I have been practicing a little.

I love the sound of my voice, except when I hear it recorded.

Ugh.

Then.

Seriously.

Ugh.

Although, I heard a friend’s little guitar riff on his facecrack page and found myself making up little lyrics to it.

I’m not a singer, but I can carry a little breathy tune.

I shared that with my friend who I went to the Paul Simon show with, my vocal abilities, or lack thereof and his response?

Fucking golden.

“That never stopped me,” he replied.

Dude.

That’s right.

But.

I don’t play an instrument, even though I did play cello once upon a time in a land far, far away.

Wisconsin.

And there are days when I think, I should pick that up again.

In what time, Martines, in what time?

But, I do.

I love the sonorous voice of the cello and the prickly velvet thrum in my heart when I have been with an instrument that I connect with.

I had a friend who once took me to the luthier that all the San Francisco Symphony Orchestra uses, he’s a cellist with the San Jose Symphony, and the smell.

Oh.

So delicious.

The wood and the rosin.

The sounds.

I remember, still, it’s been many, many years, picking up a cello and the feeling of it nestled between my thighs and the weight of the scroll against my neck.

I remembered the feeling of the strings under my finger pads.

I pulled the bow across the C string and hit an F# and just about cried with the pleasure of it.

Heh.

Yeah.

I know.

It’s been suggested to me a lot to pick it back up.

And I digress.

A lot.

The Peewee Herman thing had me pause though.

I look like an artist.

But often times feel like I’m not quite the potential I am supposed to be.

That I haven’t done enough, I’m not prolific enough.

Suffice to say, how many of these fucking blogs have I written?

Over 1800.

There’s something prolific happening here.

And maybe it’s just me being kooky and dressing funny.

But really.

It’s just me.

It’s just how I like to be.

The glitter, the heart on my sleeve, the poetry that falls out of my eyes.

I may not have the degree of fame or fortune or whatever it is that I think I’m supposed to have to be considered a successful artist.

But.

I create.

That’s the thing.

I was thinking of a shred of lyric from one of my favorite Paul Simon songs, and not one that most people would quote from either.

It’s from “Hurricane Eye,” from his album “You’re the One.”

You want to be a writer/but you don’t know how or when.

Find a quiet corner/use a humble pen.

And I tell myself that everyday.

I am a writer.

I have my quiet corner.

I use my humble pen.

Fuck.

Thank God I got to Walgreens today.

I was almost out of ink in my last couple of favorite pens.

The last couple of times I was in the store they were out of my favorite and man, it makes a difference, just like the quality of paper that I like when I am doing my morning pages.

I hate those decompostion notebooks with a fervor.

Yeah.

I know.

Ecologically friendly and all that.

But the quality of the paper is shit and it feels like crap when I write on them.

Nope.

No thanks.

I prefer Claire Fontaine notebooks from France.

Or.

When I can’t procure those.

The college ruled glitter notebooks in bright turquoise, silver, and hot pink from Safeway.

Heh.

Yeah.

I told you.

I can’t be a hipster.

I love glitter a little too much.

I don’t have to be anything, I don’t have to fit any category.

I can be the girl, or woman, should you so prefer, who wears flowers in her hair and cries a lot.

“Dude, that’s what you do,” my friend texted me back when I told him that I was in tears half the Paul Simon concert.

I do.

I do, do that.

I sort of leak with gratitude and happiness and joy.

Even when I experience shame over things I can’t control, at least I can forgive myself for that, or self-loathing or self-deprecation, I am learning, slowly, oh so fucking slow, that this is ok.

And after all.

These words are not my choice.

I am the conduit.

I am just dead light pushing crystal spun sugar into the veins of the universe.

I am just the channel through which the words move.

And I cannot tell you.

I cannot tell me.

Why this beleaguered life.

Why on my knees.

I still.

Love.

Love.

Love.

This tumult, this strife.

The promise of every day that breaks.

Across my face, the grey morning light.

The sun sequestered in fog.

The call of the day.

The fall of God.

Into my lap.

The kisses freckled on my skin.

The rapture of song.

The life within.

That small quiet voice.

Always there.

Even when I am hoarse with tears.

There are still flowers in my hair.

And my heart upon my sleeve.

It’s tattooed there.

Lined in the liminal.

Luminous.

Lustrous.

Love.

Of all that is.

Which.

Is.

In the end.

Just.

Love.

 

 

 

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